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Civil War Blog

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The Great Locomotive Chase

Posted By on December 23, 2012

The Andrews’ Raid, also known as the Great Locomotive Chase, was a military action in northern Georgia that occurred on 12 April 1862.  James J. Andrews, a northern civilian scout, along with volunteers from several Ohio regiments, captured a train on the Western and Atlantic Railroad (W&ARR) and moved it toward Chattanooga, Tennessee.  The objective of the raid was to do as much damage as possible to the rail facilities between Atlanta and Chattanooga so that Union troops could capture Chattanooga which was an important rail and water transportation center in mid-Tennessee.

The Union raiders consisted of two civilians, James J. Andrews (about 1829-1862) and William Hunter Campbell (1839-1862) and a total of 22 volunteers from three Ohio regiments:  the 2nd Ohio Infantry, the 21st Ohio Infantry, and the 33rd Ohio Infantry.

At first, the Confederates pursued the raiders on foot, but later locomotives were involved in the chase.  The two most famous of the locomotives involved were the Texas and the General.

 

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The fully-restored Texas is located at the Civil War Museum at Grant Park in Atlanta, Georgia, the same location as the Cyclorama of the Battle of Atlanta.

A route map of the Great Locomotive Chase (below) is for 12 April 1862 and is found in the Wikipedia entry:

 

Great Locomotive Chase

Models of the General and Texas circle the re-built and restored Texas:

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While the raiders were successful in disrupting the Confederates for a time, they were eventually captured.  Andrews and his men were charged with “acts of unlawful belligerency” and the two civilians were declared “unlawful combatants and spies.”  Andrews was hanged on 7 June at Chattanooga and seven others were hanged on 18 June at Atlanta, their bodies burned and buried in an unmarked grave.  Later they were re-interred in Chattanooga National Cemetery.  Eight of the surviving raiders were able to escape and make it safely to the Union lines, but needed the assistance of pro-Union civilians, including African Americans.  The final six were eventually exchanged for Confederate prisoners on 17 March 1863.

For their part in the raid, the most of the military men were awarded the Medal of Honor, but the two civilians, Andrews and Campbell, were ineligible.

The Great Locomotive Chase, was a 1956 Walt Disney, dramatic film starring Fess Parker:

A 1926 silent film comedy, The General, starred Buster Keaton.:

For further information on the Great Locomotive Chase, see the Wikipedia article.

Jeannie Gourlay – Bibliography

Posted By on December 22, 2012

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Jeannie Gourlay, a Scottish-born actress, was a player in the stock company of John T. Ford at his Washington theatre on the night President Abraham Lincoln was assassinated, 14 April 1865.  In a prior post on this blog, Jeannie Gourlay – Cast Member at Ford’s When Lincoln Was Assassinated, a time line was presented which gave several key dates in the life of Jeannie Gourlay.  After the assassination, Jeannie married Ford’s orchestra leader William Withers Jr. and within a two year period divorced him – then marrying a Scottish-born actor Robert Struthers, eventually settling near Milford, Pike County, Pennsylvania, raising a family, and remaining publicly silent on anything related to the assassination until after Robert Struthers died in 1907.  In 1910, is was widely reported in the newspapers that she returned to Washington to visit Ford’s Theatre.  Articles that appeared in the press in 1916, 1923, and 1928 (the year of her death) were presented to show an unusual story that emerged which placed her father, Thomas C. Gourlay, also a member of the Ford’s stock company, at the scene of the assassination by stating that it was he who led Laura Keene to the State Box and that it was he who helped carry Lincoln from the theatre and across the street to the Petersen House.

But, also revealed here on this blog, was that the story of Thomas C. Gourlay leading Laura Keene to the State Box was first told by Norman Harsell in 1914 in an article he wrote for the Los Angeles Times.  The Harsell story, [see Jeannie Gourlay and Norman Harsell – The Film That Never Was], was most likely invented by Harsell as the basis of a silent film that would tell the story of Jeannie Gourlay.  The film was never made but the Gourlay and Struthers families were left with Harsell’s “script” which they faithfully followed and repeatedly told until Jeannie Gourlay‘s death in 1928.

In the post yesterday, The Lincoln Flag Hoax, it was revealed that the flag presented to the Pike County Historical Society in 1954 by Jeannie Gourlay‘s son Vivian Paul Struthers was not used to cover Lincoln as he was carried to the Petersen House.  According to the owner of Sadsbury House Antiques in Sadsburyville, Chester County, Pennsylvania, the 36-star flag was sold by his great aunt, Meda Randall, to Jeannie [Gourlay] Struthers in the early 1920s.  Meda Randall was a nationally-known, well-respected antique dealer who counted among her customers the famous collectors Henry duPont and Henry Ford.  The reaction of the Pike County Historical Society to the challenge made in 2000 to the 1996 “authentication” report that had been conducted by Joseph Garrera and supported by the “Lincoln Fraternity” was also reported, including the alleged responses of Lincoln “scholars” including Edward Steers Jr., Harold Holzer, Frank J. Williams, Michael Maione, Richard Sloan, and Wayne Temple.

Today’s post will provide a selective, annotated bibliography of resources on the life of Jeannie Gourlay and the story of the Lincoln Flag.

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Edward Steers Jr.‘s books include The Lincoln Assassination Encyclopedia (New York: Harper Perennial, 2010) with entries on Jeannie Gourlay, Thomas C. Gourlay, the Lincoln Flag, and Laura Keene, each of which give as a “best source,” Steers’ other book, Blood on the Moon: The Assassination of Abraham Lincoln (Lexington: The University Press of Kentucky, 2001).  Steers also cites the 1996 report by Joseph Garrera as a “best source” for the Gourlay’s and the Lincoln Flag (see below).  Steers’ article on the Lincoln Flag, “The Flag That Cradled the Dying President’s Head, was published in the May-June 1983 issue of the The Lincolnian (Lincoln Group of Washington, D.C., Vol. I, No. 5).  Two handwritten letters by Steers to George Perry of the Pike County Historical Society exist in which Steers reports the results of the test he conducted on the Lincoln Flag.   Another letter from Steers, quoted in other publications, supports the 1996 Garrera report.

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Norman Harsell‘s article, “President Lincoln’s Assassination Recalled,” (Los Angeles Times, 11 April 1914, pages 10 and 22)  is now believed to be the source of the story that Thomas C. Gourlay led Laura Keene to the State Box at Ford’s Theatre, and many of the other invented stories about the assassination that were repeated by the Gourlay-Struthers family members.  A type-script of a second article by Harsell (probably never published) introduces other characters who were never previously reported at the scene of the assassination.  Harsell was a film producer and was trying to get a silent movie made on the life of Jeannie Gourlay.  See:  Jeannie Gourlay and Norman Harsell – The Film That Never Was.

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Richard Sloan, reportedly the authority on Jeannie Gourlay as well as on Lincoln in film, made a presentation in 1996 on Jeannie Gourlay and William Withers Jr. which was professionally recorded as part of the proceedings of the 1996 Annual Meeting of the Pike County Historical Society.  The presentation contained color slides of pictures of Jeannie Gourlay, her sister Maggie, some Gourlay artifacts, and several documents including her divorce from William Withers Jr. and statements from Withers’ Civil War pension file.  The recorded proceedings also include presentations by Frank J. Williams, Michael Maione, and Joseph Garrera.  See:  William Withers Jr. – Lincoln Assassination Witness – Resources for Study.

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George PerryPike County Historical Society Museum Curator, produced several articles which were published in newspapers in and around Pike County in the 1970s through the 1990s in addition to a paper entitled, “To the Volunteer” (November 1978), in which he told the story of Jeannie Gourlay and the Lincoln Flag in a manner that could be easily understood by museum docents, and easily told by them to visitors.  George Perry was also responsible for changing the story that was told by Vivian Paul Struthers, that the flag had been used to cover Lincoln, to the story that the flag had been used as a cushion or pillow placed under Lincoln’s head.

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Robert L. Smith, the grandson of Vivian Paul Struthers wrote a paper for a college composition course on 25 April 1986, in which he repeated the Harsell story and referenced other materials such as one of Jeannie Gourlay‘s obituary.  The story of the Lincoln Flag is included and appears to be from the story that his grandfather told – that the flag was used as a cover over Lincoln as he was carried across the street.  It is one the best example of what later family members came to believe and report about Jeannie Gourlay and Thomas C. Gourlay.

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Joseph Garrera, a New Jersey insurance agent and Lincoln memorabilia collector was responsible for the 1996 report entitled, The Lincoln Flag of the Pike County Historical Society: An Independent Analysis, Examination, and Presentation of the Evidence and History.  The report relied heavily on Steers’ 1983 article in The Lincolnian (above) as well as interviews with the descendants of Vivian Paul Struthers, where they admitted that their knowledge of the flag was also based on Steers’ article.  As a result of this 1996 report, which was supposedly examined and confirmed by at least 15 Lincoln “scholars,” the Society began representing the Lincoln Flag as “authentic” and the stains on the flag as Lincoln’s blood.  Steers reported in The Lincoln Assassination Encyclopedia that the report was privately published, but it has never been generally available to the public – although in 2000, Society Director Charles Clausen obtained a copy and wrote a critical review of it, concluding that Garrera had proved nothing  (see below).

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Peter Osborne, Director of the Minisink Valley Historical Society, Port Jervis, New York, did extensive research on the Lincoln Flag in 1994 and 1995 in preparation for an 1995 exhibit he constructed for the Pike County Historical Society.  He produced a paper entitled, “Now He Belongs to the Ages,” which included background information on the assassination, the story of the Gourlay family involvement, and some background information on the Lincoln Flag.  Osborne also included that Jean [Struthers] Newell was asked to portray her mother in a silent film about the assassination, but “she declined.”  “Now He Belongs to the Ages,” was published by the Pike County Historical Society and sold for $1.00.

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The Lincoln Flag of the Pike County Historical Society was supposedly a condensed version of the 1996 Garrera report.  It was published by the Pike County Historical Society in 1996 and sold for $5.00.  This publication of 12 pages has nearly a dozen pictures including several pictures of Jeannie Gourlay‘s dresses and leather boots and the Hamilton Busby interview photo that appeared in the Los Angeles Times as part of the Harsell article in 1914. Also included were testimonials from Wayne C. Temple, Chief Deputy Director of the Illinois State Archives; Judge Frank J. Williams; Dr. Edward Steers Jr.; and George F. Cahill, Founder of the National Flag Foundation.  Most of the information in this publication repeats other materials, previously published.  Although this 12-page publication was meant to replace a 4-page newsprint tabloid entitled, “Lincoln Flag Authenticated,” which contained many errors, the Society went ahead and produced another 4-page tabloid entitled, “The Lincoln Flag,” which it distributed free to visitors to its museum.

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Norman Lehde, long-time officer of the Pike County Historical Society, who was present when Vivian Struthers donated the Lincoln Flag, wrote two, two-part articles on Jeannie Gourlay.  The first was published in the Union-Gazette (Port Jervis, New York),  on 9 April 1865 with the second part on 14 April 1865, “A Family Memory of the Lincoln Tragedy.”  The second was published in the Sunday Times (Middletown, New York), on 9 April 1967 and 16 April 1967, “The Flag That Covered Lincoln’s Body.”  Lehde also wrote the one-page piece on Jeannie Gourlay which appeared in the official Pike County History which was published in the 1990s.

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Jean [Struthers] Newell gave an interview to officials at the Pike County Historical Society in the 1970s.  Local newspapers reported her visit to the Society.  A copy of the transcript of that interview is available at the Pike County Historical SocietyJean [Struthers] Newell also gave the Society a copy of a letter sent to her by her uncle, Thomas P. Gourlay, just before her mother died.  The writing style in that letter, known to have actually been written by him, can be compared with the one that Norman Harsell presented in the 1914 article in the Los Angeles Times (cited above).

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Jeff Widmer‘s article in the Pocono Record (Stroudsburg, Pennsylvania), “When History Happened, Someone From Pike Was There,” 23 Sepember 1977, was one of the first articles by that paper on the subject of the Lincoln Flag.  It contained many errors, including the statements that three Gourlay girls were in “Our American Cousin,” that Thomas C. Gourlay, as stage manager, was responsible for decorating the State Box, and in doing so, he took down the wool flags and replaced them with silk ones, and that after Lincoln was shot, he took one the wool flags that he had put away and used it to comfort Lincoln.

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Andrew M. Seder of the Pocono Record, in 2000 covered the challenge to the flag “authentication.”  Tom Leek of the Times Herald-Record covered the challenge for the Middletown, New York paper.  Their articles appeared through the challenge, the firing of the director, and the final settlement which occurred in early 2001.  Leek had actually begun covering the flag in 1995 and the article that appeared on 2 April 2000, “Lincoln Flag Questions Tear at Milford’s Image,” was the opening salvo in the controversy.  Both newspapers wrote editorials supporting the director and criticizing the trustees.  The Times-Herald Record published its editorial on 25 April 2000.  It was entitled, “A Blood Feud in Pike County.”  The Pocono Record published 24 April 2000, “Museum Director Punished for Doing Job” and then again on 16 June 2000, “On History:  Firing Director Doesn’t Erase Questions About Lincoln Flag.”

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Charles Clausen, the director who challenged the 1996 Garrera report, presented a multi-page document to the Society trustees and the public on 12 April 2000 in which nearly every aspect of Garrera’s report was criticized, calling it “an idiotic and incoherent manipulation of the facts.”  In the report, “Discrepancies Within Joseph Garrera’s Lincoln Flag of the Pike County Historical Society,” he strongly recommended that the flag be presented as a legend.  Copies of Clausen’s report and the full Garrera report of 1996 were distributed at the meeting.  For nearly all of the trustees, it was the first time that they had seen Garrera’s report.

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Ken Baumel covered the controversy for the Pike County Dispatch (Milford, Pennsylvania) within the same year that he was a paid publicist for the Pike County Historical Society, and his writings on reporting the controversy reflect that bias.  Arthur Siegel, owner-publisher of the Pike County Courier (Milford, Pennsylvania), provided the information for unsigned articles that appeared in his newspaper – while at the same time he was the attorney for the trustees in the firing of the director.

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Resources related to Meda [Williams] Randall, the antique dealer who sold the Lincoln Flag to Jeannie [Gourlay] Struthers, are noted in the blog post:  The Lincoln Flag Hoax.

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Many other resources are included within the prior blog posts:

Jeannie Gourlay – Cast Member at Ford’s When Lincoln Was Assassinated

Jeannie Gourlay and Norman Harsell – The Film That Never Was

Jeannie Gourlay and the Lincoln Flag

The Lincoln Flag Hoax

 

 

 

 

The Lincoln Flag Hoax

Posted By on December 21, 2012

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Only one conclusion can be drawn from the analysis of the story of the Lincoln Flag of the Pike County Historical Society:  the flag is a hoax.  In today’s post, after summarizing the major events in the development of the Lincoln Flag story, a revelation will be made, that if true, will make moot all the deliberations, assumptions, suppositions and conclusions stated by the Pike County Historical Society as to the flag’s authenticity.  That revelation will be presented publicly for the first time here – that this flag was purchased from an antique dealer in Chester County, Pennsylvania, by a member of the Gourlay-Struthers family in the early 1920s.  An analysis of the credibility of the story told by the person who came forward with the information will be included in this blog post.

In prior posts on this blog, it was shown Jeannie [Gourlay] Struthers, who was a member of the cast of Our American Cousin the night of 14 April 1865 at Ford’s Theatre when Lincoln was assassinated, refrained from publicly speaking about events that took place at the theatre until after her husband, Robert Struthers, died in 1907.  In 1910, Jeannie visited Ford’s Theatre for the first time since the assassination, and in 1914, she was the subject of a story written by author-film-producer Norman Harsell.  That story gave roles to Jeannie’s father, Thomas C. Gourlay and two of Jeannie’s brothers, and in addition, placed Jeannie in the path of John Wilkes Booth as he fled through the backstage area of the theatre to his waiting horse which was outside the backstage door.  Harsell claimed that Jeannie’s father then led Laura Keene, the star of the performance, to the State Box by a back passage where she cradled the dying president in her lap, after which, the elder Gourlay then helped carry Lincoln across the street to the Petersen House where he died.  The Harsell version was very likely invented as the basis of a silent film which was to be released on the 50th anniversary of the assassination in 1915, but for whatever reason, the film was never made.  [Note:  see Jeannie Gourlay and Norman Harsell – The Film That Never Was].

In the Harsell version, nothing was mentioned about an American flag.  In the years between the publication of the 1914 story – in all the published reports of and about Jeannie [Gourlay] Struthers until her death in 1928 – and the years between 1928 and 1954 when very little (if anything) was publicly stated about the role of the Gourlay family at the assassination, no references have been found which mention a flag.

In 1954, Vivian Paul Struthers, the son of Jeannie Gourlay, appeared at a meeting of the Pike County Historical Society to donate a 36-star flag, which he claimed was used by his grandfather, Thomas C. Gourlay, to cover Lincoln as he was carried across the street to the Petersen House from the theatre.  The only written documentation provided by Vivian Struthers to indicate that the flag was “authentic” was a letter from the local high school principal which claimed that the 36-star flag was the official flag in April 1865 [Note: He was incorrect, in that the 36-star flag was not supposed to be “official” until 4 July 1865; however, purists will argue that after Lincoln’s death, the 36-star flag was used and accepted as “official” during the period of mourning].

In the ensuing years since 1954, various curators and amateur historians at the Pike County Historical Society struggled with the story of this so-called Lincoln Flag that had supposedly covered Lincoln, and by the 1980s, a new version had evolved – one which was based on the brownish-red stains on the flag that were believed to be blood.  Since Lincoln had only one wound, and that was in the back of his head, the only way the stains could be his blood, would be if the flag had been folded and placed under his head as a pillow or cushion – rather than placed on top of him as a cover.  Thus, the story presented by Vivian Struthers at the time of the flag donation was changed.  Further confusing the issue was a blood test that had been performed at a local hospital – which concluded that stains from two places on the flag gave positive reactions for blood (though human blood was not mentioned in the laboratory report).

Then in 1982, Edward Steers Jr., who at the time was President of the Lincoln Group of the District of Columbia (a “chapter” of the “Lincoln Fraternity”), arrived at the Pike County Historical Society and convinced the curator, George Perry, to give him several pieces of the flag so that he could perform his own tests.  Later, in two letters to the Society, Steers indicated that the red dye used on the flag was “cochineal” (derived from crushing the bodies of cochineal beetles), that this natural dye was common to the period of the Civil War (synthetic dyes were used later), and that all this “new-found” information would be the subject of an article on the flag and the assassination.  That article, written by Steers, contained numerous errors, including the misreporting of the test that Steers himself had performed (without indicating that he was the one who had performed the test), and the indication that he [Steers] had seen a report at the Society that the stains on the flag were human blood.  As a scientist, Steers knew, or should have known, that what he was reporting was not accurate.  He also should have known that cochineal and blood are often confused in that they produce similar test results.  Steers has never explained whether he was testing for blood or for the red dye on the flag, what parts of the flag his samples were taken from, how many samples he was given, and whether all the samples were used in the testing.  [See:  “The Flag That Cradled the Dying President’s Head“].

Steers article in the The Lincolnian, despite the significant number of errors and misrepresentations, became the basis of the report of another member of the “Lincoln Fraternity,” Joseph Garrera, a New Jersey insurance agent and Lincoln memorabilia collector, who arrived at the Society in 1995. With no academic credentials and only the promise to conduct a “scholarly” study to determine the authenticity of the flag and consult with “experts” and “scholars” who he claimed to know personally, Garrera was given access to the Society artifacts and files.  That study, which was concluded in 1996, declared the flag to be “authentic”.  Garrera first presented his findings to fifteen Lincoln “scholars,” including Frank J. Williams, Edward Steers Jr., Richard Sloan, Wayne Temple, Michael Maione, and Harold Holzer, all of whom concurred that Garrera had “authenticated” the flag and praised him for his “scholarly” endeavor.

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Michael Maione, Frank J. Williams, unidentified guest, and Joseph Garrera at the 1996 Annual Meeting of the Pike County Historical Society

Trumpeting the “authentication” report, the Pike County Historical Society invited Garrera, the news media and the fifteen Lincoln “scholars” to its Annual Meeting in 1996, which was held in the ballroom of the Best Western Hotel in Westfall Township, Pike County.  Also attending the meeting were Civil War re-enactors, Lincoln impersonators, Lincoln memorabilia collectors and about 250 members of the public.   Speakers at the Annual Meeting included Richard Sloan, who gave a prelude-presentation on Jeannie Gourlay and William Withers Jr.; Frank J. Williams, who told jokes about Lincoln and stories of how school children have perceived Lincoln; Michael Maione, who spoke of “following the money” in analyzing Booth’s pre-assassination activities; and Joseph Garrera himself who was billed as the featured speaker.  During the course of the evening, music from the film Gettysburg blared over the loudspeakers (to get the audience in the mood) and a large display of Lincoln memorabilia from Garrera’s collection was on hand for attendees to view and admire.  The spectacle was professionally recorded by the Society – and the conclusions of Garrera were reported internationally by CNN, the BBC, and the New York Times.

The first major challenge to the 1996 authentication report came in early 2000 when a newly hired, professional director at the Society began to question some of the assumptions that Garrera had made as well as some of the misrepresentations that he [the director] was expected to present to the public about the flag.  After obtaining a copy of Garrera’s 1996 report (no copy was available at the Society), a complete analysis was done on what Garrera had presented and a scathing criticism was written and disseminated in a news conference that took place in April 2000 – at which it was stated, that under the authority to interpret artifacts which was given to him [the director] by his contract, the Lincoln Flag would hereafter be interpreted as a legend.  The 1996 report was therefore considered as bogus.

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Some of the member of the trustees of the Society said that the director’s criticisms of the 1996 report needed to have an “in house” examination while others moved to mobilize members of the “Lincoln Fraternity” to support the Garrera report.  In the end, the latter group won out and the director was suspended, pending a hearing on whether he had violated his contract by challenging the flag report and refusing to accede to the wishes of the individual trustees who insisted they had the right to force him to interpret the flag as “authentic.”  The issue of “museum ethics” was introduced by the director, who stated that it was unethical for a museum to lie about its artifacts.

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The hearing, which took place in June 2000, was held in closed session despite the wishes of the director to have the press and public admitted.  The trustees called upon the local police force to prevent any unauthorized persons from entering.  After the so-called hearing, the Pocono Record reported that the director was “bashed” by those trustees who were present, that he was not permitted to speak to defend himself, and that the trustees had pre-determined that they were going to fire him, although the actual firing took place at a later meeting.

The regional news media was very sympathetic to the director (Times Herald Record of Middletown, New York and the Pocono Record, of Stroudsburg, Pennsylvania) while the local media (Pike County Dispatch and Pike County Courier) was sympathetic to the museum trustees.

Then, the “Lincoln Fraternity” came out in full force.  An article appearing in the News Eagle (Hawley, Pennsylvania), 17 June 2000, “Historical Society Defends Lincoln Flag,” quoted Harold Holzer, Vice President of the Metropolitan Museum of Art,” as defending Garrera’s 1996 authentication report by stating:

The historical importance of the Lincoln Flag cannot be overstated.  It should not be treated as a piece of folklore, but as a relic of America’s most tragic night.

That article also cited Frank J. Williams, a Justice of the Rhode Island Superior Court, and Chairman of the Lincoln Forum, and Michael Maione, Historian of Ford’s Theatre, as fully supporting the authentication.

Another article, which appeared in the Pike County Dispatch, 22 June 2000, said that five Lincoln scholars strongly supported Garerra and his insistence that the flag was authentic.  Garrera claimed to have received recent letters from each of them re-affirming their support.  Those five scholars were then identified as Richard Sloan, who was said to be “the nation’s leading expert on Jeannie [Gourlay] Struthers;” Wayne Temple, Chief Director of the Illinois State Archives; Dr. Edward Steers Jr., author of four books on the Lincoln assassination, and “one of the nation’s leading experts on the assassination;” Harold Holzer; and Justice Frank J. Williams.

The Pocono Record reported the final settlement in an article which appeared on 11 January 2001, “Museum Flap Settled in Pike.”  The director had been fired because he dared to question the Lincoln “scholars” and the conclusion of the trustees was that the flag was “authentic” to the assassination, that the flag contained blood stains from Lincoln’s wound, and that the authentication report was sound and accurate.

In the intervening days between the first article that appeared in April 2000 that questioned Garrera’s authentication report of 1996 and the director’s final settlement of January 2001, the news was primarily a regional story, with occasional reporting outside the Pocono-Catskill mountain region where the Society is located. But at least one of the reports made its way to another part of Pennsylvania – and that report caught the attention of an antique dealer in Chester County, Pennsylvania.

In September 2000, in a phone conversation with the owner of Sadsbury House Antiques in Sadsburyville, Chester County, Pennsylvania, the true origin of the Lincoln Flag was revealed.   John Robinson, a retired Commander of the U.S. Navy, and owner-operator of Sadsbury House Antiques, said that he was closing down the family business in Sadsburyville, when he heard about the controversy regarding the Lincoln Flag, and he didn’t believe that the director should be fired for challenging the erroneous assumption that this flag had been placed under Lincoln’s head at the assassination.  Robinson claimed that his great aunt, Meda Randall, who had founded the antique business in 1920, had sold the “large American flag with 36-stars” to “a woman from Pennsylvania” in the early 1920s.  He indicated that he had attempted to make contact earlier, but could not get a message through to authorities at the Pike County Historical Society.  He [Robinson] came forward because harm had come to an individual’s career because he [the director] had challenged the false information that was being presented by the Society – information that Robinson and members of his family (and business) knew to be false.  He did not want to be considered an accessory to this conduct and wished to set the record straight, and testify, if need be on behalf of the director. [Note:  Several attempts were made to get this information to officials at the Society, but they were unwilling to accept anything from anyone other than Lincoln “scholars” who they said were strongly supporting the authentication and the 1996 report.  After the settlement with the director in January 2001, the issue was considered “closed” by written agreement of both parties].

Meda [Williams] Randall (1876-1978)

The analysis of the information provided by John Robinson has taken several years and has been facilitated by information subsequently published on the web about the Lincoln Highway, Meda Randall‘s dealings with Henry duPont and Henry Ford, Ancestry.com records and family trees.  Nearly everything stated by John Robinson in the September 2000 phone conversation has now been validated by evidence – both circumstantial and actual.  Unfortunately, because John Robinson was closing down the family business which had existed since 1920, he had discarded many of the early records – including the file on the Lincoln Flag – and thus had to rely on his memory, which in the case of the flag was relatively recent in that the files had only been discarded within the year (just before 2000) – before the firing of the director was publicized.  Had he known earlier, he said would have kept those records.

The story of Meda Randall as an antique dealer and how it intersects with Jeannie Gourlay can now be told with the supportive documentation.

Meda Mary Williams, the great aunt of John Robinson, was born in 1876 in Atglen, Chester County, Pennsylvania.  Early-on, she and members of her family were involved in the junk business in and around Atglen.  Meda married Capt. Albert W. Randall, an officer in the U.S. army who first served in the Spanish-American War, and then in World War I as part of the American Expeditionary Force (AEF) under Gen. John Pershing.

Capt. Albert Waldo Randall (1870-1961)

Commander John Robinson explained that at the end of World War I, Capt. Albert W. Randall was assigned to the “Hoover Commission” where he served in Europe assisting in the relief efforts for the displaced civilian population.  The “Hoover Commission,” named for Herbert Hoover who later became president, was sometimes called the “Hoover Food Administration” and operated out of London and Paris in the months after the war.  It consisted of about 350 American officers asked to stay behind by Gen. Pershing to manage the supply and distribution system that provided food and other forms of relief to civilians.  In checking the information provided by Commander Robinson, several contemporary news articles were found that supported the fact that these officers were kept in France after the main part of the AEF returned home.

In addition, the passport application of Meda [Williams] Randall was located through Ancestry.com, in which she and several officials of the U.S. government supported her application to go to Europe to join her husband.  The passport application of Meda [Williams] Randall contains many papers relating to the workings of the Hoover Food Administration and Capt. Albert W. Randall‘s work with it in Paris, France, and London, England as part of the residual group of officers of the American Expeditionary Force that were left behind to manage relief efforts for the European population.

The portions of the passport application containing Meda’s personal data and her reasons for traveling to Europe (“Hoover Food Administration”) are shown above.  Below, is a portion of the ship list from the Lafayette:

Click on document to enlarge.

The Randall’s returned to the United States in December 1919 on board the Lafayette, sailing from LeHavre, France, on 6 December and arriving on 18 December in New York City.  Capt. Randall then received his discharge from the army with special thanks from the government for his humanitarian service as part of the Hoover Food Administration.

In the discussion with John Robinson, two possible scenarios emerged as to the origins of the large 36-star flag that was eventually sold to “a woman from Pennsylvania.”  In the first scenario, Capt. Randall was presented with a gift from the government – a large, 36-star American flag that had been on public display in Washington, D.C. during the mourning period for Lincoln – a “Lincoln Flag” that, appropriately could be a centerpiece in the antique shop that his wife would establish early that year on the Lincoln Highway in Sadsburyville, Chester County, Pennsylvania.  The second scenario had Meda [Williams] Randall purchasing the flag from Custis family descendants, while she was in the process of acquiring antiques for two of her major customers, Henry Ford of Dearborn, Michigan, and Henry DuPont, of Pennsylvania and Delaware.  Because John Robinson was not yet born when his great aunt and great uncle established the antique business in 1920 in Chester County, he had to rely on family stories and receipts and correspondence left by his aunt at the business (the Lincoln Flag file) in order to reconstruct the story of the origin of the flag.  Meda Randall did not die until 1978, more than ten years after John Robinson began working in the antique business with her.  Commander Robinson strongly believed that the flag that was on display at the Pike County Historical Society was the same flag that his great aunt had sold to Jeannie [Gourlay] Struthers and/or her daughter Jean [Struthers] Newell.  Again, his reason for not reporting all this sooner was that up until April 2000, no apparent harm had come to anyone by the false misrepresentation of the flag as being present at the Lincoln assassination – but once harm had come to someone for challenging that story – the harm being the actual firing of the director –  he [Robinson] felt duty-bound to report that the flag story told by the Pike County Historical Society was a hoax and that its true “origin’ was through his family’s antique business and that the flag was never present at the Lincoln assassination.

John Robinson said that he believed the flag was authentic to the period after the Civil War in that it was one that was supposedly used during the Lincoln mourning period which occurred for a time after the assassination. The 36-star flag, being “official” for a two-year period from 4 July 1865 to 4 July 1867 when Nebraska was admitted as the 37th state, could have been flown over a public building or have been displayed on the face of a large building during this time.  Again, from his knowledge of the flag’s origin, he [Robinson] was positive that this flag had nothing to do with Ford’s Theatre or the Lincoln Assassination.

Sadsbury House – Founded in 1920

In addition to naming her major clients, John Robinson also indicated that his great aunt was the first woman to be the sole proprietor of an antique dealership in Pennsylvania.  A story about Meda [Williams] Randall was said to appear in a Lancaster County newspaper, telling of her antique business, her major clients, and her knowledge and sources of authentic American antiques.

The picture of the business sign (above) is cropped from one of the pictures in a book by Brian Butko, who is considered to be the historian of the Lincoln Highway.  The picture was accompanied by the following text:

Meda Randall opened the Sadsbury House in 1920.  Her niece Mary Stock joined the business in 1945, and when she retired in 1977, she turned it over to nephew John Robinson.  He’s actually been part of the business since 1968, after years in the Navy and as a computer research executive.  Look for the sign of the lion for a mix of antiques and “stuff.”

Winterthur

Henry Francis duPont (1880-1969), according to John Robinson, was one of Meda Randall‘s major customers.  Winterthur was the name of his estate, which is located in northern Delaware, in relative close proximity to Philadelphia and Chester County, Pennsylvania, where Meda Randall had her antique dealership.  The entry in Wikipedia for Henry Francis duPont states the following:

Initially a collector of European art and decorative arts in the late 1920s, H. F. du Pont became interested in American art and antiques. Subsequently, he became a highly prominent collector of American decorative arts, building on the Winterthur estate to house his collection, conservation laboratories, and administrative offices.

The museum has 175 period-room displays and approximately 85,000 objects. Most rooms are open to the public on small, guided tours. The collection spans more than two centuries of American decorative arts, notably from 1640 to 1860, and contains some of the most important pieces of American furniture and fine art. The Winterthur Library includes more than 87,000 volumes and approximately 500,000 manuscripts and images, mostly related to American history, decorative arts, and architecture. The facility also houses extensive conservation, research, and education facilities.

Articles which Meda [Williams] Randall procured for duPont which are now housed at Winterthur include:  antiques, furniture, beds, tables, woodwork, cellarettes, lighting fixtures, ironwork, andirons, chairs, glassware, settees, hangings, flowers, dogwood tress, garniture, hardware, brass, engravings, spreads, antiques, furniture, tinware, etui, boxes, hardware, glassware, textile fabrics, trim, spreads, rugs, ironwork, eagles, frames, banners, tableware, silverwork, books, Sheffield plate, pewter, clothing, cupboards, books, wallpaper, pewter, boxes,  marble, wallpaper, bookcases, hangings, flowers, brass, engravings, and spreads.  The correspondence and receipts related to these acquisitions and sales are kept at Winterthur Library in 66 archival boxes and have become part of the provenance and authentication of each of the items. The finding aid for these items is available at Antique Dealer Papers on the Winterthur Library website. The name “Meda M. Randall” appears many times in the finding aid.  It is possible that somewhere in the archival boxes, a 36-star flag is described in one of the letters Meda Randall sent to duPont.

The Atglen, Chester County, railroad station (shown above) is no longer standing. It was located on the Main Line of the Pennsylvania Railroad and Amtrak Keystone trains pass by this spot daily on their way from Philadelphia to Harrisburg.  It was from this station that Meda Randall probably did her shipping.  Atglen is only a few miles from the Lincoln Highway (U.S. Route 30) where Sadsbury House Antiques was located.  The Randall’s lived on Green Street in Atglen, which intersects the railroad tracks in Atglen, and they appear with occupation as dealer/collector in the 1930 U. S. Census.

A 19 September 1936, Christian Science Monitor article, “Antique Collectors of Nation Display Treasures at Detroit.”  Meda Randall is featured as a prominent, well-known dealer.

Henry Ford (1843-1867) was also a customer of Meda Randall.  The Henry Ford Museum is located in Dearborn, Michigan, and contains thousands of historical antiques, including the actual chair Abraham Lincoln was sitting on when he was assassinated at Ford’s Theatre.

Henry Ford (1863-1947)

Henry Ford began his search for objects of Americana in the early 1920s, at the same time that Meda Randall established her business in Pennsylvania.  When Henry Ford attempted to purchase the entire contents of the Oldroyd Lincoln Museum at the Petersen House in Washington, D.C., in 1923, Jeannie Gourlay supposedly wrote a letter to President Warren G. Harding indicating that she believed that the government should purchase the museum contents, not a private collector.  No doubt, at this time, Meda Randall had already connected with Henry Ford and was working to fill his collecting needs and was aware of Ford’s attempts to purchase the Oldroyd Collection.

In 1942, in response to the difficulties presented by gas rationing, Meda Randall began shipping her purchases to customers as stated in an 8 August 1942, Saturday Evening Post article, “Roadside Business: Casualty of War.”  It was difficult for many customers to get to her shop, so she operated a “mail order” business, sending items for “approval” in the hopes of getting purchases.

In the early 1920s, Jeannie [Gourlay] Struthers came to know Meda Randall.  While it is not certain how they first met, it could have been through Jeannie’s son-in-law, Charles W. Newell.  Media, Delaware County, Pennsylvania, was the home of Charles W. Newell, husband to Jeannie’s daughter, Jean [Struthers] NewellCharles W. Newell was a graduate of the University of Pennsylvania and a civil engineer.  Following graduation, he went to work for the Pennsylvania Railroad and in 1920, was Superintendent of the Main Line of that railroad – which included the Atglen Station and facilities in Chester County.  For Jean [Struthers] Newell and her mother Jeannie [Gourlay] Struthers, it would have been an easy rail trip to Atglen and then to Sadsburyville to the antique business of Meda RandallJeannie [Gourlay] Struthers was interested in mementos of the Lincoln assassination – a playbill with her name on it, a picture of John Wilkes Booth, and any other items that Meda Randall could provide.  On one of the trips to Sadsbury House, Meda Randall sold her the Lincoln Flag.

Thus, in the early 1920s, the Lincoln Flag came into the Gourlay-Struthers family.  On a return trip to Milford, Pike County, Jeannie [Gourlay] Struthers took the flag with her and placed it in a chest or trunk in her house – and then it was forgotten.  Jeannie’s health began to decline, she spent her remaining days with daughters Mabel [Struthers] Humbert in Montclair, New Jersey and Jean [Struthers] Newell in Media, Pennsylvania – except for a time that she spent in the Forrest Home for Actors in Philadelphia.  But she was only there for a while.  Jeannie’s death occurred in 1928 at the Newell home in Media – not very far from the place that she had purchased the Lincoln Flag.

Jeannie [Gourlay] Struthers has not yet been located in a 1920 census, although many people assume that she was living in Milford, Pike County.  Jeannie’s son, Vivian Paul Struthers was living in Bloomfield, Essex County, New Jersey in 1920, and working in shipbuilding.  In 1930, after the death of his mother, Vivian was living in rented quarters in Matamoras, Pike County, Pennsylvania, and according to the census, was employed in “odd jobs.”  The 1932 Pike County Directory is the earliest time in which he appears to be living in the Water Street house where Jeannie lived.  How much contact he had with his mother during the 1920s is unknown.  And, it is not clear who was living in the Water Street house in the 1920s, although the house remained in the family for many years after Jeannie’s death.

Vivian Paul Struthers presented the Lincoln Flag to the Pike County Historical Society in 1954, either with no knowledge that his mother had purchased it from Meda Randall or, if he had such knowledge, falsified the story that it had been used to cover Lincoln as he was moved across the street from Ford’s Theatre.  Surely though, Vivian’s sister, Jean [Struthers] Newell knew the truth, and was probably with her mother when the flag was purchased.  This could be the reason for Jean [Struthers] Newell‘s coy and evasive responses when she was interviewed at the Society in the 1970s – carefully parsing her words to avoid an outright lie – and leaving hanging what she knew about the flag, thus allowing the Society to interpret it as it saw fit, without interference from her.

The story told by John Robinson has no apparent flaws.  It is certainly much more sound that anything presented by the Pike County Historical Society in relation to the Lincoln Flag.  The question then comes down to this:  who is to be believed?  who is more credible?  John Robinson, a retired naval commander, had no reason to present any false or enhanced information and at the time, had every reason to come forward with the truth.  Very little in the Pike County Historical Society version of the Lincoln Flag fits the available facts – from the architecture of Ford’s Theatre to the chain of custody of the flag – all seem to be created to fit the Norman Harsell story, which clearly didn’t happen that way at all.

If any blame is to be given for creating the Lincoln Flag hoax, it has to be first given to the Pike County Historical Society who didn’t take the necessary steps to properly document the original donation, who over the years distorted and inaccurately reported the actual evidence, who allowed amateurs who claimed to be experts to take part in the flag’s so-called authentication, and then when faced with a challenge to what was clearly a fabricated story, chose to fire the director who brought the errors into the light.

Will shame now be cast on a group self-appointed Lincoln “scholars” who will do anything to protect their own “Lincoln fraternity” brothers – including supporting the firing of a museum director who challenged them?

It remains to be seen how this all settles out – whether the Pike County Historical Society will re-visit – in a professional manner – the entire Lincoln Flag history – or whether they will choose to ignore completely this now-public, alternate origin of the flag.

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In tomorrow’s post, some of the resources used to study the life of Jeannie [Gourlay] Struthers and the Lincoln Flag will be presented as an annotated bibliography.
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The portraits of Meda [Williams] Randall and Albert Waldo Randall are from their passport files which are available on Ancestry.com.

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A Personal Note:  I conducted the phone interview in September 2000 with John Robinson by calling him at his business after he finally got a message through to the director, Charles Clausen.  Notes from the phone interview formed the basis of the follow-up research, some of which is presented here in this post.  Prior to September 2000, I was the treasurer of the Pike County Historical Society, and as such had access to all the records pertaining to the Lincoln Flag.  I concurred with the report presented in April 2000 by Clausen, which challenged the 1996 report by Garrera that supposedly authenticated the flag.  I announced my resignation as the treasurer on the day that the director was suspended by the trustees and thus was no longer an official of the Society when I interviewed John Robinson.  My attempts to contact the Society were done through one of the officers who I thought would bring the information to the attention of the Society’s attorney who had refused to speak with me since I was no longer a member of the Board of Trustees of the Society.  I am not aware that the attorney was ever told of the information that I had received from John Robinson.  Both the attorney and the officer I spoke to are now deceased.  The last attempt I made to speak with the officer was at the dedication of the elevator-lift that made the first floor of the museum accessible.  In 2004, I moved from Pike County to Philadelphia, where I have resided since.  My interest in the Lincoln Flag was re-kindled after Edward Steers Jr. published his Lincoln Assassination Encyclopedia, which provided what I am convinced was false information about Jeannie Gourlay, Thomas C. Gourlay, Laura Keene, and the Lincoln Flag, and later by Steers’ criticism of Bill O’Reilly‘s book, Killing Lincoln.

 

Jeannie Gourlay and the Lincoln Flag

Posted By on December 20, 2012

At a small county museum in northeast Pennsylvania [The Columns, Milford, Pike County], a large 36-star American flag is on display.  The museum claims with certainty that the flag was used as a cushion under the head of Abraham Lincoln as he lay mortally wounded in the State Box in Ford’s Theatre the night of 14 April 1865, and that the large brownish-red stains visible on the flag are Lincoln’s blood.

The story told by the museum, which is operated by the Pike County Historical Society, is that one of the members of the cast, Thomas C. Gourlay, led the star of the evening’s performance, Laura Keene, to the State Box when a call for water was made by someone in the box.  Gourlay then took a flag from within the box and cushioned Lincoln’s head – the blood from his wound seeping into the flag.  After Lincoln was carried across the street to the Petersen House by Gourlay and others, the flag was given to him to return to the theatre.  Instead of returning the flag, Gourlay took the flag home and kept it, passing it down in his family, telling no one outside the family that he had it.

In 1954, nearly 90 years after the assassination, the grandson of Thomas C. Gourlay appeared at the museum to donate the flag – which was accepted by the museum and today is considered to be the centerpiece of their Civil War collection.  Supposedly, the flag has been authenticated by Lincoln “scholars.”  But, there are many skeptics.

In his Lincoln Assassination Encyclopedia, published in 2010 by Harper Perennial, Edward Steers Jr. includes the story of the Lincoln Flag in three entries:  Laura Keene; Jeannie Gourlay; Thomas C. Gourlay; and Lincoln Flag.  While Steers qualifies the entries with words such as “is believed to be,” “family tradition claims,” “according to family tradition,” “family tradition gives rise to the belief,” and the “legend claims,” the inclusion of these sketches – especially with their reference to the “best sources” for the information on these topics as Steers’s own book, Blood on the Moon and an obscure, privately printed report, The Lincoln Flag of the Pike County Historical Society – begs the question of what role Steers had in establishing the flag as authentic.

Previously on this blog, in a post entitled The Architecture of Ford’s Theatre and Laura Keene, it was shown how Steers manipulated an architectural drawing of the theatre and presented it in Blood on the Moon in order to show a route that he believed Thomas C. Gourlay took Laura Keene to the State Box.  In the post today, it will be revealed how Edward Steers Jr. contributed to establishing the legend of the Lincoln Flag, and specifically, how, over time, information was repeatedly manipulated by Steers to fit his conclusion that the flag is an authentic artifact of the assassination.

Jeannie Gourlay, a Scottish-born actress, was a player in the stock company of John T. Ford at his Washington theatre on the night President Abraham Lincoln was assassinated, 14 April 1865.  In a prior post on this blog, Jeannie Gourlay – Cast Member at Ford’s When Lincoln Was Assassinated, a time line was presented which gave several key dates in the life of Jeannie Gourlay.  After the assassination, Jeannie married Ford’s orchestra leader William Withers Jr. and within a two year period divorced him – then marrying a Scottish-born actor Robert Struthers, eventually settling near Milford, Pike County, Pennsylvania, raising a family, and remaining publicly silent on anything related to the assassination until after Robert Struthers died in 1907.  In 1910, it was widely reported in the newspapers that she returned to Washington to visit Ford’s Theatre.  Articles that appeared in the press in 1916, 1923, and 1928 (the year of her death) were presented on this blog to show an unusual story that emerged which placed her father, Thomas C. Gourlay, also a member of the Ford’s stock company, at the scene of the assassination by stating that it was he who led Laura Keene to the State Box and that it was he who helped carry Lincoln from the theatre and across the street to the Petersen House.  But, also revealed here on this blog, was that the story of Thomas C. Gourlay leading Laura Keene to the State Box was first told by Norman Harsell in 1914 in an article he wrote for the Los Angeles Times.  The Harsell story, [see Jeannie Gourlay and Norman Harsell – The Film That Never Was], was most likely invented by Harsell as the basis of a silent film that would tell the story of Jeannie Gourlay.  The film was never made but the Gourlay and Struthers families were left with Harsell’s “script” which they faithfully followed and repeatedly told until Jeannie Gourlay‘s death in 1928.

Between 1928 (the year of Jeanie’s death) and 1954 (the year of the flag donation) there was relative silence from the Gourlay and Struthers families on anything pertaining to Jeannie Gourlay or the Lincoln Assassination.  Then in 1954, Jeannie’s son, Vivian Paul Struthers appeared at a Pike County Historical Society meeting with a flag that he wished to donate to the society’s museum.  The donation was accepted and thus began an entirely new phase of the Jeannie Gourlay story – one which now included a flag that had never before been mentioned in any public way.

When Vivian Struthers donated the large flag to the Pike County Historical Society, the story he told was that Thomas C. Gourlay, his grandfather, was one of the men who helped carry Lincoln across the street to the Petersen House (per the Norman Harsell version), and that the large 36-star flag he was donating was the one that he believed that his grandfather had used to cover Lincoln as he was being carried across the street.  But information that Vivian Struthers then presented to the society showed that he was somewhat confused as to the story he was telling as well as the origin of the flag.  Struthers submitted a letter from Milford High School Principal Ira Markley which”confirmed” that a “36-star” was the “official” flag in April, 1865.  Also, Vivian Struthers did not give a clear chain of custody of the flag – only that it had been passed down in the family and that he believed that his mother, Jeannie Gourlay, had inherited the flag when his grandfather died in 1885.  Supposedly, the flag had been kept in trunk or chest in the attic of the local Water Street house belonging to the family – where Vivian Struthers was believed to be living in 1954 when he made the donation.  There is no record at the Pike County Historical Society that, at the time of the donation, there was any discussion or mention that stains on the flag were blood – or, even that there were any noticeable stains on the flag.  If any written, signed “testimony” was taken from Vivian Struthers, it has been lost.

Two persons, supposedly present when Vivian Struthers made the donation, many years later reported on what happened that night in 1954.  Victor Orben, a local surveyor, claimed that he drove the elderly Struthers to the meeting where he donated the flag.  Orben’s recollections appeared in an article written and published in the Allentown, Pennsylvania, Morning Call in 1982 (see below).   Norman Lehde, a officer of the society and a journalist, wrote and published several articles on the Lincoln Flag.

The files of the Pike County Historical Society contain many news articles that were published in the years between the donation in 1954 and the early 1980s – all of which speculate on how the flag was used at the assassination scene and how it came into the hands of the Gourlay family.  Slowly, and somewhat carelessly, the story was manipulated to indicate that the flag was one of the ones that decorated the State Box.

The files at the Pike County Historical Society also contain some letters which indicate that the Gourlay-Struthers family unsuccessfully attempted to sell the flag prior to its donation to the Pike County museum.  Specifically mentioned were attempts to get a museum in Washington to “take” the flag.  These letters, as well as other information about Jeannie Gourlay “faking” assassination artifacts, are often ignored when discussing the credibility of the claim that this flag was actually one of the ones that decorated the State Box or was in the State Box on a table or shelf.  [Note:  See the mention of the five year old boy who visited Jeannie around 1900 and Jeannie showed him an “blood-stained” apron which she claimed resulted from Lincoln’s head being held in her lap, in Jeannie Gourlay – Cast Member at Ford’s When Lincoln Was Assassinated].  It was also a well-known fact that in the years after Jeannie Gourlay‘s death, her family members sold-off many of her personal items – including jewelry, clothing articles, her scrapbook, letters to and from her, and photographs.  These items today are in private collections – not in museums.  Although the Pike County Historical Society has three costumes purportedly belonging to Jeannie Gourlay and some other minor items, these items originally were acquired via loan from the family rather than donation.

Other occurrences, including an extensive interview with the daughter of Jeannie Gourlay, Jean [Struthers] Newell in 1973, present a confusing picture of the flag and how it “traveled about.”  At the interview, she promised to find out more information and “get back” to the society as to what actually happened; no record has been found that she actually did.  News articles as well as the actual notes and report from the interview present her responses as coy and elusive.  The word used in one article referred to her as being “curious” about the flag.  Not once did she actually confirm that she was told the story by her mother that this was the actual flag that was used to cover Lincoln and that it had passed from her grandfather to her mother after his death.

A final piece of ignored evidence is the written report of the visit of descendants of Thomas C. Gourlay‘s sons to the local museum demanding to see the flag and making an attempt to retrieve it.  Supposedly, these visitors, when they discovered that there was a valuable item in the museum that may have belonged to their grandfather, demanded to see it – but were told that the flag was kept in a safe-deposit box and that they would not be allowed to see it.  Norman Lehde, then a society officer, had been alerted to their visit and acted on behalf of the society to formally stop them.  In a statement made to the society by the descendants, they appeared to not know whether this was an item that actually belonged to their grandfather and kept at his New York residence, but because it was was being presented as such by the Society, believed that they could make a claim to it. From the written statement they made, it was clear that these were descendants of a son who had actually resided with Thomas C. Gourlay at the time of his death in 1885.  If Thomas C. Gourlay had a flag from Ford’s Theatre, and took it to his home in New York, how was it that those who were living with him at the time of his death knew nothing of it?

The intervening years between 1954 and the early 1980s also saw the flag story morph into another interpretation – that the flag was placed under the head of Lincoln as a “cushion” rather than being used as a “cover” for his body.

Norman Lehde, the most prolific of the writers on the Lincoln Flag during this period, never presented the story as anything more than a legend – and was steadfast in his interpretation that the flag was used to cover Lincoln’s body.  In a two-part article published in 1967 in a local newspaper, the journalist reiterated the basic story told by Norman Harsell in 1914, but added the flag story in both the title of the article (“The Flag That Covered Lincoln’s Body”) and in the text.  In one of his last writings, the official history of Pike County which was published in the 1990s, Lehde finally succumbed by stating that the flag “had been used to cover the president or been placed under his head when he was taken from the theatre.”

William Henn, President of the Society in 1968, and one-time curator of the museum, was skeptical about the flag and did not include it in his book, The Civil War and Pike County, originally published by the Pike County Historical Society in 1980.  After Henn’s death, his book was re-published in 2000, and his sons privately said that their father never gave much credence to the claim that the flag was at the assassination.  During Henn’s presidency at the Society, Ford’s Theatre supposedly became interested in the flag and Josephine Allen, then curator of the Lincoln Museum there, pursued the acquisition of the flag.  Ultimately, the flag was not obtained by Ford’s Theatre, probably because its authenticity could not be verified, and because the family of Jeannie Gourlay maintained that it wished the flag to remain in the local museum.

George Perry, a retired insurance agent, worked at the society as a volunteer and later was curator in the 1980s and 1990s.  He too wrote about the flag in articles that appeared in the local newspapers.  George Perry, and his brother Wallis Perry were directly responsible for changing the story from a “cover” to a “pillow” and also for the theory that the flag may have been folded and on a table in the box instead of being draped over the railing of the box as decoration.  The solidification of this story appears to be an article that appeared in the Allentown (Pennsylvania) Morning Call of 17 June 1982 entitled, “Milford Museum is the Quiet Home of a Special Flag.”  George Perry had concluded that for the stains on the flag to be Lincoln’s blood, the flag had to be placed under Lincoln’s head – as that was the only place that there was a bleeding wound, and if used to cover Lincoln, it would have been virtually impossible for there to be blood on the flag.  Thus, it was George Perry who changed the story from “cover ” to “pillow” – despite all the previous “testimony” to the contrary that the flag was used as a “cover”.  George Perry also concluded (erroneously) that “permanent” creases in the flag, which seemed to suggest that the flag was folded into a two-foot square, were the result of the flag having been folded at the time, and when re-folded along those same creases, the stains appeared to be “on top of one another.”  The creases in the flag, were most likely the result of ironing by well-meaning historical society volunteers; the flag had originally been displayed in a specially-constructed display case measuring about two foot square.

The Morning Call story also contained several other interesting tales.  One stated that the Society possessed two dresses that Jeannie Gourlay wore in Our American Cousin the night of the assassination. Another told that Perry had documents that recorded that the bloodstains on the flag were from the bullet wound in Lincoln’s head and that the stains had been tested at a local hospital and were determined to be “human blood.”  The article concluded with a sidebar story that said that “experts will check the story for authenticity.” The name of one of the “experts” who would be doing the checking was Edward Steers.

Thus Edward Steers Jr. entered the story.  At the time Steers was President of the Lincoln Group of the District of Columbia.  In August 1982, he arrived at the society museum and met with George Perry and some “ladies.”  Steers, after being shown the blood test report, was allowed to examine the flag and photograph it.  He convinced George Perry to give him some pieces of the flag, supposedly where there were blood stains, so he could take them back to his laboratory and analyze them. It is not clear how many swatches of the flag that he was given, whether the purpose was to analyze the dye content or the blood stains, or where and what tests would actually be performed.  At the time, Steers worked for the National Institutes of Health, but the impression received by members of the Society was that he had a laboratory in his home where he would perform the tests.  He was willingly given what he asked for, and Perry anxiously awaited the results.

The first letter sent by Steers to Perry was dated 19 August 1982 – on the letterhead of the Lincoln Group of the District of Columbia.  He referred to himself in that letter as a member of the “Lincoln Fraternity”, thanked Perry and the “ladies” for their hospitality, and said he looked forward to meeting Mrs. Newell (Jean [Struthers] Newell, the daughter of Jeannie Gourlay).  He indicated that the information about the flag could possibly result in an article he could write about it and promised to keep in touch as events developed “down here.”  The second letter arrived about a week later and was dated 27 August 1982.  In this letter, copies of two pictures he took of the flag were enclosed as well as the information on the laboratory tests he had conducted.  Steers reported that the “thread fragments” were analyzed for dye content and that the dye was determined to be “cochineal”, which he said placed the flag in the Civil War period – natural dyes being used at the time rather than synthetic dyes.  He stated that the dye was obtained from a small insect, “indigenous to Mexico, Central America and the West Indies.”  His conclusion was that the test or tests that he performed only supported the conclusion that the flag was of the period.  There was no mention made of blood or tests for blood – nor was there any mention about the type of test or tests that he performed to come to his conclusion.

The article that Edward Steers Jr. mentioned as a possibility appeared in The Lincolnian, May-June 1983 (Volume I, Number 5) and was authored by Steers.  It was entitled, “The Flag That Cradled the Dying President’s Head.”  [Note: Click on title for free download].  This article did more to solidify the belief that the flag was authentic than any other in the flag’s history.  This is unfortunate, because the article contained outright misrepresentations and factual errors and was poorly and falsely documented.  Even more inappropriate was Steers’ failure to mention in the article that it was he who conducted the vital test on the flag (the so-called dye test).  The dye test result was also incorrectly reported when he indicated that it was from “madder root,” a natural vegetable substance.

Criticisms of this article can begin with Steers’ repetition of the Norman Harsell story and with the inaccurate footnote that the story was told to Norman Harsell by Jeannie Gourlay in an 11 February 1923 story that appeared in the Los Angeles Times; the date on the story is actually 14 April 1914.   The back stairway by which Thomas C. Gourlay supposedly led Laura Keene to the State Box is explained by a long quote from a supposed “assassination scholar” Art Loux, without properly sourcing the quote – or providing any evidence that the path Loux was claiming to exist, actually existed.  Jeannie Gourlay‘s death year is given as 1927; she actually died in 1928.  Steers mentions that it was Jeannie Gourlay who stated that her father who “took a folded flag from within the box and used it to carefully cushion Lincoln’s head;” Jeannie Gourlay never made any such statements.  Steers states that the flag was donated to the Pike County Historical Society in 1951; it was donated in 1954.  In a footnote, Steers states that George Perry displayed a letter which testified that the stains on the flag were “made by human blood;” the letter reporting the test done at the local hospital only reported that the performed test was done on several samples cut from the upper area of the flag and that in two cases, showed “positive reactions to tests for blood.”  But the most egregious statement made by Steers occurred in the same footnote when he stated that tests on several wool fibers taken from the red bunting contained “a natural dye from the roots of the madder plant” – not “cochineal” as he had reported to the society in August 1982 – and, by placing the statement about the dye test in the same footnote as the blood test which George Perry was reporting, the reader is led to the conclusion that Steers had nothing to do with the test and that it had been done for the Pike County Historical Society by the hospital that had done the blood test.

There are other errors in the article – too many to report in this post.  But the question has to be asked as to why Steers would make so many errors and whether he would intentionally change facts to fit a conclusion when the facts don’t fit the conclusion?  That question was previously asked here when discussing the Architecture of Ford’s Theatre in relation to the back passage that Laura Keene supposedly took to get to the State Box.  In 2000, when the veracity of the flag’s authentication was being questioned, Steers was asked to respond about both the numerous errors in his article in The Lincolnian and the type of tests that he performed on the swatches of fabric that he was given in 1982 – and why he misreported the results in  The Lincolnian article.  Steers cancelled a scheduled book-tour appearance at the Pike County Historical Society which was supposed to occur shortly after Blood on the Moon was released, where he surely would have been asked questions about these issues, and where he would have been expected to answer them.

Unfortunately, the Steers article in the Lincolnian was accepted as unquestioned fact by Joseph Garrera when he wrote his report, The Lincoln Flag of the Pike County Historical Society in 1996 – the report that Steers claims is the best source, other than his own book Blood on the Moon – on the subjects of the Lincoln Flag, Thomas C. Gourlay, and Jeannie Gourlay.  Garrera reproduced the Steers article in its entirety in his report and then sought Steers’ opinion on the validity of the flag authentication.  Steers responded with a letter in which he supported Garrera’s report:

Garrera has pulled together tangible evidence which points to the Lincoln Flag’s authenticity as a true national treasure.  The provenance of the flag is no less than that of several other icons which now repose in special places of honor in our national museums and Mr. Garrera’s research places the Lincoln Flag squarely among these other icons.

While Garrera had access to the actual letters Steers had written to George Perry, he failed to note the discrepancies between what Steers had written in the article in the Lincolnian and what actually was known to have happened.  He also failed to note the origins of the story of Thomas C. Gourlay leading Laura Keene to the State Box – that the story was originally authored by Norman Harsell in 1914 and had never been told before that.

In all, it was reported in 1996 that fifteen “Lincoln Scholars” examined the Garrera report and all came to the same conclusion – that Garrera had authenticated the flag.  One of most preposterous of all the effusive, supporting statements was made by Frank J. Williams, who at the time was a Justice of the Superior Court of Rhode Island, and a past-President of the Abraham Lincoln Association:

…Your thorough examination of the provenance and history of the “Lincoln Flag” helps all Americans to focus on our culture and behavior on the night of April 14, 1865… [and] with supporting documentary evidence would, in my courtroom, sustain your burden of proof by more than a fair preponderance of the evidence.

…How appropriate it was that the president who re-defined our union and saved the nation should, on his way out of life, have his noble head resting on an American flag.

Of course, no court-room hearing ever took place, and if it had, Williams would have had to recuse himself because one of his cronies, Edward Steers Jr., played a significant part in the presentation of the so-called information in the report.

The report written by Garrera was not made available to the public in 1996 nor was a copy available at the Society and when the newly-hired director at the Pike County Historical Society attempted to obtain a copy in 1999, he was rebuffed by some of the trustees and by Garrera himself who claimed that the report was in the process of being revised for possible publication under his name and copyright.  However, the director was able to obtain a copy from a society past-president who kept the only available copy in her home.  The director made copies and then set out to review it.  In a scathing counter-report which he presented at an open trustees meeting, he ignited a controversy which ended in his dismissal.  At the time, the behavior of the trustees was brought into question by the director, whereupon they rallied behind Garrera and five members of the “Lincoln Fraternity” who supposedly re-confirmed their support for the 1996 report and the authentication of the flag.  It was stated that Edward Steers Jr. was one of those who stood behind the report.

Since that time, the Pike County Historical Society has steadfastly insisted that the flag is authentic and that it was Garrera’s report that authenticated it.  The errors committed by Steers in his 1982 article, although not sourced as such, are also repeated by the Society – including that it was Thomas C. Gourlay who led Laura Keene to the State Box, that the stains are human blood, and that the flag was used to “cradle” Lincoln’s head (as a pillow).  On the web site of the Pike County Historical Society,  Steers is mentioned as one of those who have “concurred with and confirmed Mr. Garrera’s findings.”

In tomorrow’s post, “The Lincoln Flag Hoax,” the next to last post of the series on Jeannie Gourlay will be presented – with a very credible source of this 36-star flag, publicly revealed for the first time!  The final post will consist of a bibliography of materials for further study on Jeannie Gourlay and will be presented on Friday.

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The photograph of the Lincoln Flag at the top of this post was taken in 2002 at the time The Columns Museum dedicated an elevator which made the first floor, and the Lincoln Flag, accessible under the requirements of the Americans With Disabilities Act (Ada).  The headline announcing the donation of the flag is from a news article that appeared in the Port Jervis Union Gazette, 17 May 1954, and was obtained courtesy of the Times Herald Record of Middletown, New York from their office records in Port Jervis, New York.  The photo of the article entitled “Gourlay Family Curious About Flag,” is from a personal collection and appeared in the Port Jervis Union Gazette, 18 August 1973.  The article that appeared in the Morning Call, 17 June 1982, by Pete Stevenson, is also from a personal collection, as is the article, “Draped Over Lincoln: Ford’s Theater Eyes Milford Treasure,” which was written by Chris Farlekas and appeared in the Times Herald of Middletown, New York, 30 January 1968.

Grant Park and the Atlanta Cyclorama

Posted By on December 19, 2012

Grant Park is located in the City of Atlanta, Georgia, and can easily be reached from I-20 at Exit 59a, Boulevard Avenue.  Also at the same location, is the Cyclorama, featuring a visual, music and narration depiction of the Battle of Atlanta; the Civil War Museum, with the “Texas,” one of the locomotives involved in the Great Locomotive Chase; and Zoo Atlanta.

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A Georgia Historical Marker tell the history and significance of the park:

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GRANT PARK

Named for Col. Lemuel P. Grant (1817-1893) pioneer railroad builder and public-spirited citizen of Atlanta who donated to the city 87.5 of this area for a park, 17 May 1883.  An additional 44 acres acquired by purchase from Col. Grant increased it to 131.5 acres, 4 April 1890.

Grant Park has the national distinction of being the location of one of the few extant cycloramas – the subject of which memorializes the major engagement fought by Confederate and Federal forces in the environs of the city – the Battle of Atlanta, 22 July 1864.

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The building which houses the cyclorama also includes the Civil War Museum.

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The major feature of the cyclorama is the huge painting in the round and a three-dimensional diorama.  The story of the Battle of Atlanta is told with narration and music as visitors stand on a moving platform in the center and each appropriate portion of the diorama is lit and explained.

At one time, there were many cycloramas in existence, but today, the only surviving ones are in Atlanta and in Gettysburg.

For further information on the Atlanta Cyclorama, visit the web site.